VexedIMA

Is there anyone who isn’t sick of nationalistic sloganeering? Big and little Trumps the world over have rediscovered the brute power of propagandistic clichés.

Vexed is a gesture-controlled projected installation inviting participants to either wave or destroy flags displaying slogans of jingoistic nationalism.

DUTTON, ABBOTT, BRANDIS, AND NOT ENOUGH FLAG. (PHOTO: MIKE BOWERS)

FLAGS TAKING THEIR NEO-NAZIS FOR A WALK IN MELBOURNE. (PHOTO: JAKE NOWAKOWSKI)

PAULINE HANSON READY TO UNFURL. (SOURCE: QUEENSLAND MUSEUM)

SCOTT MORRISON, BIG FLAG ENERGY. (PHOTO: FACEBOOK)

CLIVE PALMER – PUTTING AUSTRALIA IN A PADDOCK. (PHOTO: BLAKE ANTROBUS)

In Australia, sound bites like “gas-fired recovery” (using the pandemic as an excuse to cling to fossil fuel dependency) positions environmentalists as unpatriotic. Likewise, the unemployed – with rehearsed slogans such as “you’ve got to have a go to get a go” (positioning the under-privileged as outside the national social-contract). While “now is not the time” is the standard conservative cop-out, recently applied to everything from welfare and tax reform, climate change, First Nations rights, and pretty much anything that needs urgent action.

Vexillology is the study of flags. To be vexed is to be attacked, harassed or troubled. The word comes from the Latin vexare, meaning “to shake, jolt or toss violently”.

Although there have been frequent efforts to criminalise the desecration of the national flag and make an offence of “burning, mutilating or otherwise destroying a protected flag or ensign”, it’s still legal in Australia. But the sensitivities around flags prove the potency of national symbols, and the related enduring potential of flag desecration for dissent and protest.

 

Vexed follows on from Unsettled, New Anthems and Hoisted, continuing Inkahoots’ critique of sovereignty, nationalism and national identity through graphic design’s expressive modes of visual language.

The installation was commissioned by the Institute of Modern Art for their Making Art Work initiative. It was live at the IMA in Brisbane from the 9th until the 22th of December 2020. 

Accompanying audio 00:04.09 loop.

For more about Making Art Work see here.

Read more on Typeroom.

Photography by Charlie Hillhouse. 
Vidoegraphy by Tnee Dyer.